Strauss & co - Review 2012

Girl in Sunglasses signed; inscribed with the artist’s name, address, title and medium on the reverse oil on canvas 61 by 46cm Sold R1 448 200, 8 February 2012 Stanley Pinker The subject of this portrait – Anna Starcke, prize-winning journalist, author and publisher – was easily identified by one of her contemporaries who noted that the Starckes and Pinkers were good friends in the late sixties. Anna was instantly recognisable as the only young woman on Clifton Beach with those round sunglasses and elegant kerchief tied around her hair. She was clearly a striking beauty as, earlier in the 1960s, she also sat for Irma Stern who produced a very different portrait of her, a Modigliani-esque pose to emphasise her aquiline nose. In an email to Ann Palmer, Head of the Paintings Department at Strauss & Co, Starcke revealed: “When Stanley returned to Cape Town in 1964 and was planning to hold his first local exhibition after a decade in Europe, I happily was the custodian of the Association of Arts Gallery … It’s nearly 50 years ago so memories are a little hazy but there’s one that is totally, utterly crisp in my mind. Here’s why: ‘Whom’, I asked, ‘would he like to open his exhibition?’Stanley said he didn’t know anybody and in any case would be most happy if I would open it ‘seeing as you like my stuff so much’. I was delighted but also most apprehensive – I had never made a public speech and told him so. But now Stanley insisted I should do it. “On the opening night, being the custodian, I had a bell in my hand to hush the crowd for the opening speech. Because I was nervous as hell, there was a steady tinkling right through the speech. The reason I remember it so clearly – and have thanked Stanley in my mind many times over – was that the experience made me determined to perfect the skill of speaking confidently in public, something I henceforth pursued relentlessly. So yes: thank you again Stanley for having contributed decisively to my career development. “The Pinkers lived in Hout Bay in a glorious barn they had built on the beach. It probably wasn’t, but that’s how I remember it. Sun-drenched golden sand, lots of colour in a light-flooded house, lots of red wine and always Bob Dylan and Janis Joplin with Bettie Pinker presiding over everything like a wonderfully wholesome, pink-cheeked Earth Mother in floor-length caftans. And Stanley laughing that distinct, rumbling laugh of his, often self-deprecating at some outrageous remark he’d made. “Most of us had small children and spent our Sundays picnicking together on that beach, spilling out from that bright house. And everybody – apart from Helmut [Starcke] and me and the [Peter] Webbers – or so it seemed, was blond. The Pinkers, the [Bruce] Arnotts, the [Kevin] Atkinsons’, the [Erik] Laubschers. “The idyll lasted to the late Sixties. … it produced some fabulous, invigoratingly new South African art … And for that we are surely grateful today.” 21