Strauss & co - 8 - 11 November 2020

71 T O P L A C E A B I D C L I C K O N T H E R E D L O T N U M B E R 577 Mavis Shabalala SOUTH AFRICA 1965– Ingelosi Nezilwane signed, dated 95, numbered 21/60, inscribed with the title in pencil and embossed with the Caversham Press chopmark in the margin colour screenprint sheet size: 64 by 35 cm R3 000 – 4 000 575 Wonderboy Nxumalo SOUTH AFRICAN 1975–2008 Basa Umlilo Ngaphandle Kuka Matches signed, dated 1995, numbered 19/45, inscribed with the title in pencil and embossed with the Caversham Press chopmark in the margin; printed with the title in English in the plate colour screenprint sheet size: 64 by 76,5 cm R4 000 – 6 000 578 Punch Shabalala SOUTH AFRICAN 1969– Umlingo Wezilinane signed, dated ‘95, numbered 26/50, inscribed with the title in pencil and embossed with the Caversham Press chopmark in the margin colour screenprint sheet size: 100 by 69,5 cm R4 000 – 6 000 579 Mavis Shabalala SOUTH AFRICAN 1965– Amadoda Amabili Abuka Indlovu Nebhubesi signed, numbered 37/60, inscribed with the title in pencil and embossed with the Caversham Press chopmark in the margin colour screenprint sheet size: 63,5 by 41,5 cm R3 000 – 4 000 576 Bonakele (Bonnie) Ntshalintshali SOUTH AFRICAN 1967–1999 Ukuzalwa Kukajesu (The Birth of Jesus) signed, dated 95, numbered 51/65, inscribed with the title in pencil and embossed with the Caversham Press chopmark in the margin colour screenprint sheet size: 64 by 76,5 cm R8 000 – 12 000 580 Bonakele (Bonnie) Ntshalintshali SOUTH AFRICAN 1967–1999 UDaniel Namabhubesi (Daniel in the Lion’s Den) signed, dated 95, numbered 44/50, inscribed with the title in pencil and embossed with the Caversham Press chopmark in the margin colour screenprint sheet size: 100 by 69,5 cm R7 000 – 10 000 Spirit of our Stories Collaboration between Caversham Press and Ardmore Ceramic Studio In the Spirit of our Stories project, 1995, a group of rural artists from the Ardmore Ceramic Studio at Winterton worked in a medium that was new to most of them at the time, printmaking, at the Caversham Press. The artists’skill in working in a narrative tradition lent itself to the translation of images from 3-dimensional ceramic forms into 2-dimensional prints. The images the artists produced include interpretations of dreams, references to folklore and bible stories, and observations from the world around them.