Strauss & co - 13 November 2017, Johannesburg

10 The terms used in this catalogue have the meanings ascribed to them below. Any statement as to the authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and should not be taken as a statement of fact. Please read the Conditions of Business printed in this catalogue, with particular reference to paragraph 2. Buyers are advised to inspect the property themselves. Condition reports are available on request. While the use of these terms and their definitions are based upon careful study and represent the opinion of specialists, Strauss & Co and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by these terms. ‘Name of the artist …’ In Strauss & Co’s opinion a work by the artist. ‘Attributed to …’ In Strauss & Co’s opinion probably a work by the artist in whole or in part. ‘Studio of … ’ In Strauss & Co’s opinion a work executed in the artist’s studio but not necessarily under his supervision. ‘Circle of …’ In Strauss & Co’s opinion a work by an as yet unidentified hand, closely associated with the named artist and showing his influence. ‘Follower of …’ In Strauss & Co’s opinion a work executed in the artist’s style but not necessarily his pupil. ‘Manner of …’ In Strauss & Co’s opinion a work executed in the artist’s style and of a later date. ‘After …’ In Strauss & Co’s opinion a copy of known work by the artist but of any date. ‘signed …, dated …, inscribed …’ In Strauss & Co’s opinion the work has been signed, dated or inscribed by the artist. ‘Bears a signature … , dated… and/or inscribed …’ In Strauss & Co’s opinion the signature, date and/or inscription are by a hand other than that of the artist. Titles given by Strauss & co are descriptive, unless otherwise stated. Explanation of Cataloguing Terms left Lot 370 Sydney Kumalo Madala VI (detail)