Cape Town, 11 October 2011

102 163 Irma Stern S OUTH A FRICAN 1894-1966 Gladioli signed and dated 1939 oil on canvas 99 by 93cm R5 000 000 – 7 000 000 PROVENANCE Estate Late J. J. van Schaik EXHIBITED Pretoria Art Museum, Besiel deur Blomme, 1982 This remarkable painting by Irma Stern has an illustrious provenance. It was acquired from the artist by Johannes Lambertus van Schaik (1888 – 1965) around 1940 and inherited by his son Jan Jacob van Schaik (1917 – 2009). The former came to South Africa from Holland in 1911 and joined the bookseller De Bussy in Johannesburg. In 1914 he founded the bookselling and publishing house J L van Schaik in Pretoria. The business flourished and on his death his two sons Jan and Hans continued to run the company until 1986 when it was sold to Nasionale Pers. It still continues to trade under the name Van Schaiks. By 1939 Irma Stern had garnered international recognition and local notoriety for her remarkable paintings. She had enjoyed the success of several solo shows and exhibited with several of Europe’s leading Modernist artists, won the prestigious Prix d’Honneur at the Bordeaux International Exhibition (1927) and travelled widely on the African continent to places such as Dakar and Zanzibar. This painting exemplifies the work of Irma Stern at the height of her powers. All the elements are rendered with sure draughtsmanship and confident paint application. Still life painting was one of the artist’s favourite genres, not least because it offered her the opportunity to experiment with the medium of paint without being tied down to mimesis as in a genre like portraiture. Here the flowers appear to burst beyond the confines of the canvas. The pliable leaves and the large soft petals painted with thick, impasto textures that catch and reflect the light, contrast with hard ceramic surfaces. The orange Hubbard squash, the bunch of grapes and the pomegranate spread across the red table add richness and depth of colour and become pivotal points in the balanced composition. Softer colours seduce the eye while unexpected colour groupings create visual excitement in a symphony of subtle and complementary colour combinations. Interestingly, the Gladiolus genus was indigenous to the Cape and not found in Europe before 1700. As a result of growing interest in Cape bulbs during the late eighteenth century, foreign travellers took examples of the delicate Cape Gladioli back to Europe and bred them into the large hybridised blooms 1 that became very fashionable and are now seeing a return in popularity. The vase may well have been a locally made pot but the bowl laden with fruit is quite possibly one of the celadon dishes which Stern is thought to have acquired in Zanzibar. 2 The oriental stoneware would probably have come to Turkey overland via the Silk Road or by sea via the Spice Route and then been traded down the east coast of Africa. Made in China around the early fifteenth century, this bowl is typical of the Sung Dynasty monochrome wares, when form was favoured in contrast to the highly decorated Ming Dynasty porcelain. Its generous shape and luscious grey-green glaze are the perfect complement for the warm tones of the fruit. Stern’s fondness for flowers is given free rein in this unusually large canvas. The result is a celebration of so much that she loved – fresh flowers, ripe fruits and vegetables and favourite ceramics, brought together under her astute and keen gaze. 1 Information from Marion Arnold’s Irma Stern: A Feast for the Eye, Rembrandt van Rijn Art Foundation and Fernwood press, 1995, p128. 2 Steven Banks, Irma Stern as a collector, The UCT Irma Stern Museum, 1986, exhibit J, catalogue numbers 510 and 511.